Looking at the
result of my animation, a lot of tweaking needs to be done to the design and
lighting of the architecture because edges, corners etc are very unclear.
Animation wise, I think for a first time it’s not too bad. It isn’t so hard to
create the animation. More time however needed to focus on texture, lighting and
rendering.
Thursday, July 26, 2012
Saturday, July 21, 2012
Week 1 - Object 2 : MAXXI
Based
on the abstraction of the building through the pictures
Approach: recurring shapes (curving loops)
Made by folding, cutting and slitting paper to create loop figures.
Approach: recurring shapes (curving loops)
Made by folding, cutting and slitting paper to create loop figures.
Week 1 - Folded Object 1: Burnham Pavillion
Based
on the abstraction of the building through the pictures
Approach: spatially, structurally, surface.
Paper fold reference: http://origami.island-three.net/boat.html
In order to create the boat shape, I followed these instructions
Approach: spatially, structurally, surface.
Paper fold reference: http://origami.island-three.net/boat.html
In order to create the boat shape, I followed these instructions
Thursday, July 19, 2012
Week 1 - Zaha Hadid - MAXXI: Museum of XXI Century Arts
MAXXI:
Museum of XXI Century Arts, Rome, Itally
30,000m2
MAXXI supercodes the notion of the museum as ‘object’ or – presenting a field of buildings accessable to all, with no firm boundary between what is ‘within’ and what is ‘without’. Central to this new reality are confluent lines – walls intersecting and separating to create interior and exterior spaces.
Composition and Concept
MAXXI integrated itself with its surrounds, through the flow of its walls it defines major streams (the galleries) and minor streams (interconnections and bridges) in a L-shaped footprint which in this context becomes ‘liberation’ – a freedom to bundle, twist and turn though existing buildings.
MAXXI expresses itself through glass, steel and cement – delighting in neutrality, achieving great curatorial flexibility and variety. To wander through, to experience this place – these places – is the encounter constantly changing vistas and surprises.
http://www.zaha-hadid.com/architecture/maxxi/
30,000m2
MAXXI supercodes the notion of the museum as ‘object’ or – presenting a field of buildings accessable to all, with no firm boundary between what is ‘within’ and what is ‘without’. Central to this new reality are confluent lines – walls intersecting and separating to create interior and exterior spaces.
Composition and Concept
MAXXI integrated itself with its surrounds, through the flow of its walls it defines major streams (the galleries) and minor streams (interconnections and bridges) in a L-shaped footprint which in this context becomes ‘liberation’ – a freedom to bundle, twist and turn though existing buildings.
MAXXI expresses itself through glass, steel and cement – delighting in neutrality, achieving great curatorial flexibility and variety. To wander through, to experience this place – these places – is the encounter constantly changing vistas and surprises.
http://www.zaha-hadid.com/architecture/maxxi/
Week 1: Zaha Hadid - Burnham Pavillion
Year: 2009
Site: 500m2
Footprint: 200m2
Pavillion designed and erected in Chicago’s Millenium Park as part of the Burnham Plan celebrations reflecting the tradition of embracing the cutting edge architecture in an intricate but fluid structure that incorporates hidden traces of Burnham and Bennett’s original 1909 plans to redevelop the city.
Composition and Concept
Intricate bent-aluminium frame shaped and welded to create a unique curvilinear form.
Outer and inner fabrics wrapped tightly around the interior frame to create a distinctively fluid shape. The skins also serve as screens for video installations.
Designed and built to maximize recycling and re-use of materials to be reused in other locations.
http://www.zaha-hadid.com/architecture/burnham-pavillion/#
Week 1: Zaha Hadid
Chosen Architect
Dame Zaha Mohammad Hadid, an Iraqi-British architect.
Career and Facts
In 1980 she established her own practice in London. During the 1980s she also taught at the Architectural Association.
She taught at prestigious institutions around the world.
In 2004 Hadid became the first female and first Muslim recipient of the Pritzker Architecture Prize, architecture's equivalent of the Nobel Prize.
In 2008, she ranked 69th on the Forbes list of "The World's 100 Most Powerful
Women".
Interior Architecture and Product Design
She has also undertaken some high-profile interior work, including the Mind Zone and Feet zone at the Millennium Dome in London as well as creating fluid furniture installations within the Georgian surroundings of Home House private members club in Marylebone, and the Z.CAR hydrogen-powered, three-wheeled automobile. In 2009, she worked with the clothing brand Lacoste, to create a new, high fashion, and advanced boot.
Information From
http://en.wikipedia.org/wiki/Zaha_Hadid
Subscribe to:
Posts (Atom)